Showing posts with label sl music. Show all posts
Showing posts with label sl music. Show all posts

Ghost Ship Crashes Live Music Party at Mystery

On Friday afternoon, the Heart of Mystery Riverboat Club at the Mystery sim held one of it’s live music events. At 1 PM SL time was Zorch Boomer, whom provided blues and pop music to the crowd. At 2 PM came Lexie Luan, “The great music continues on the top deck of the Queen of Hearts as Lexie Luan takes the stage at 2pm!! Come hear this wonderful singer today!! Hope to see you here!” Sim owner Tygeria Mirabeau and sim manager Amythe Midnight were there. Micah Giha was the host.

With the sim at nightfall, the graceful Lexi wowed the crowd as she sang while strumming her neon-pink guitar. The audience responded with applause, “Woo-hoo”s, and comments like “Over the fookin’ edge.” A couple times, fireworks shot over the club, providing a little flash and color to the show.

Later in the show, the party got a visitor of a more supernatural and aquatic note. A roar like an ocean wave could be heard, but there was no sign of a big wave below. Then the audience saw the wooden bow of an old-time sailing frigate plowing through, but it harmlessly passed through everyone it touched. A ghost ship!

In just a few moments, the vessel had slid across the deck of the riverboat club, the stern leaving a little water in it’s wake, which vanished as the ship sailed on. The ghost ship sailed on for a little longer, and soon faded into the night from whence it came. The audience paused for a few moments before Tygeria called for the party to resume.

Lexi left the riverboat at 3PM, but before doing so revealed a little surprise for Tygeria with the help of Amy. Even though the musician left, some of the crowd stuck around for a little longer to continue the party.

* * * * * * * * * *

On another note, Mystery is currently hiring additional hosts for it’s events. For “Themed DJ Events, the base pay is 150 L for two hours. For live music events, base pay is 150 L. The pay is in addition to tips given to the host by those attending, which can exceed what Mystery pays. Those interested are asked to contact Micah Giha or Amythe Moonlight by notecard (IMs tend to get capped). They are asked to follow rules for a PG sim.

Bixyl Shuftan

OD Designs Custom Music Shop

Want to go to a place where you can not only get a cool guitar, but also customize it to your liking? Head on over to OD Designs, where one can get guitars, drum sets, and musical AO's to perform your own dream concert, and more.

The store itself has a *huge* variety of guitars up for sale, grouped by the name of the maker of their real-life counterparts, as well as the models and color schemes of the instruments.

“There’s no real genre attached to this (store),” store director Leilani Teskat explained, “We have several different musical tastes here. I’m trying to get a Shakira tribute to play here soon, hopefully. Our tributes are open to any of the tribute houses. We offer that to give them added exposure. Plus, we also have the OD Band HUB too. That gives even more exposure, that’s located out on the back porch. We also have OD Live, which is our Live Artists branch of things. We’re partnered with some live performers too, StevenJaimz, Anek, Space Junky, to name a few.”

“So it really is a wide open genre. (laughter) Which I prefer, because it adds to the variety.”

Leilani went on, “Also, we’re partnered with real-life guitar manufacturers ... Ortho makes reproductions in-world of them.” Leilani explained the real-life companies treat the virtual goods more or less as a kind of advertising, “so we provide text shouts when the person wears the guitar. Plus, we have links from the OD website to all of their sites. Plus, I have them followed on Twitter too, and we have them on Myspace and Facebook. So we’ve got the whole web 2.0 network going.” Feedback from the real-live guitar companies has been “very positive. Actually, some of them have been so impressed, they linked our website onto theirs. So we have our pages on theirs. The ones I specifically built myself, so that’s been a real feather in my cap, so to speak. ;-) “

She brought up the website of the BC Rich guitar company, which at the bottom had “Visit BC Rich at” followed by several places online, the one virtual world being Second Life, which was a link to her OD Designs page (http://www.odmusic.info/leilani/bcrich%20webpage.htm). “If you go there, and look at the very bottom, you’ll see the link to SL,” which was a SURL to their store, “That’s the webpage I made for them, and the others too. It’s added promotion for them too, something interesting.”

But the store does more than just sell guitars, it allows one to modify them, “We’ve got (a) custom shop that allows people to customize their OD guitars and basses, even adding their own stickers to their instruments. It’s very cool! ... There’s also a short video on how to do it.” She showed me the shop, which has separate stations for stickers and streamers. A webpage shows two videos on how to operate the booths (http://www.odmusic.info/CustomShop/customshop.html#Custom%20Streamer%20Station). For stickers, one can select from the textures in the station, or use one of your own from your inventory. You can also enlarge or shrink the sticker and choose where on the surface of the guitar front you want it. For streamers, the guitars come with three invisible ones hanging from the headstock. The booth allows you to texture and tinit from one to three. Once again, either one can use a texture of those from the booth or one of your own.

When one wears the guitar, one gets a copy of the Heads Up Display to control it with various animations, “you can also adjust the guitar on your av (recommended if you have a tail), then when you have it positioned properly, click the guitar and select ‘Teachfront.’ “
The custom shop has its own HUD as well to help with editing the guitar. Guitars can be copied for one’s inventory, or one can use the store redelivery system for a new copy.

For purchases made at the store, customers are given OD rewards points. “Just like air miles, in a sense,” Leilani explained, “It’s helped out a lot of people who want to do tributes.” In picking the guitar, one may want to pay attention to how it’s color compares to your clothes, “ That's the biggest problem I've found is matching the color up. Sometimes SL can make it kinda disappear. If you have an all black ensemble it gets lost.” The guitars are also highly detailed, down to the strings, made from about 180 to over 250 prims. Most of the guitars come in three sizes, “some of these guitars are so big for my av ... but I want them that big to show off, if I use the Medium sized ones they look good but you can't see the detail.”

Besides guitars, OD Designs also sells drum sets, in different sizes, “the medium ... , the monsters, these are the model most commonly used in Second Life, and the small ... People usually get them depending on which tribute or application they are wanting to do.” Like the guitars, the drums are highly detailed, “we do offer a wearable version of the drums just in case people don't want to use up any prims.” The largest “monster” set is The Titan, “there are a lot of people who just love that particular drum kit ... they also do different things, like the Titan there can spin around and even UFO around.” Like the guitars, drum sets come with their own HUDs for options like different styles of drumming, lights and special effects, and spinning the whole set around drummer and all, “I suggest not doing it in Mouse View.” Sitting on the drums, one gets a copy of the HUD plus the drumsticks.

OD Designs also sells keyboards and pianos.

Animations can be remote-controlled, “say you were a live artist playing a guitar, you could have a friend control your animations.” OD Designs sells the H2V vocal HUD, “some do use this vocal HUD along with the guitar playing as some real-life artists sing and play guitar.” And it also has the H2X, a whole-body HUD similar to the one with the guitars, but has many more animations, over fifty, “ think of it as the HUD you get with the guitar is the H2 lite.”

Leilani also pointed out the Redelivery and Help Center, which can get people a fresh copy of their guitars, as well as showing how many reward points they have.

“Someone can come in get a guitar, and be able to do a tribute or performance right away,” Leilani explained, “and we also have a database of people wanting to get into the SL music industry (so to speak) ... the SL Live Music scene is very live and kicking, there are a LOT of live artists, some using SL to promote their own music, and then directing people to their websites to make sales. ... We're trying to help the people get more gigs too because we know that if they're not making the lindens they can't purchase OD Gear. So I'm always looking for ways to help people, and help them step up their performance too. Not just me but the other OD staff. We all help out in customer service.”

The OD Designs website is at http://www.odmusic.info/. The page for the custom shop is at (http://www.odmusic.info/CustomShop/customshop.html#Custom%20Streamer%20Station) and the one for the H2X Full Motion Authentic Guitar Animation HUD / AO at (http://www.odmusic.info/H2x/H2x.htm).

“OD ROCKS!!”

Bixyl Shuftan

Tim Folds His Hand...


Back in August, I did a piece here regarding a new business model in the SL music scene.  One of the venues proposing such a model was Rasta Ventures, former management of Red Rock Ampitheater, Rasta Beach and Mama's, managed by TributeTim Kwak and his management team.

The new model, a co-op between the venues and performers, was to include Red Rock and Mama's, as well as a new venue.  The grand reopening of the venues was scheduled for 15 September.  Sadly, this did not occur.  It came to my attention that Tim encountered some dificulties with the scripter he hired., as well as having one of the musician partners pull out of the co-op.  He decided to find another scripter, regroup and get back to work on his ideas.

Tim circulated the following letter today, 12 November:

"Hi friend,

After much effort, and now much regret, i'm writing to tell you that i've decided to abandon the Rasta Live Music Co-op project. After working carefully with a very professional, very competent scripter, we've determined that the hours involved to set up the system to a the level of quality that i would be comfortable with would take well over 100 hours of coding and cost in the range of about US$6,000 at reasonable RL programming rates.

I can't afford that, and the SL economy can't justify that level of investment.  But, i am not willing to pair down the project.  I'm not willing to do a half assed job.  Perhaps if I were more skilled in scripting, and if I had the time (which i'm afraid I never will)  I could treat the project as a hobby, do the scripts myself and we would have a system that we were proud of and would be of use to the greater community.  Sadly, that is not to be, or rather, it is not for me to do this job.

As such, i have decided that i will move into other ventures in Second Life and leave venue management to others.  I love the music here, especially YOUR music, and i will always be a grateful and frequent member of your audiences.  I have opinions (like you find THAT surprising) about how the biz side of music should be structured, but they will remain my opinions and I will keep them to myself from this point forward.  Rather, I'll simply enjoy what you do, however it happens.

I want to thank you for your support. In some ways, i feel i've let you down.  But I know that this decision is a much better path than trying to proceed with something that is less than what we had hoped for.

With great love and respect,

TributeTim Kwak"

By Shellie Sands

SLN Reporter Nazz Lane Appears on “The 1st Question,” Pooky Amsterdam Airs “Too Busy” SL Machimia

On Tuesday night at 7 PM SL time on September 8, Second Life Newspaper reporter and writer Nazz Lane appeared as a contestant on “The 1st Question,” a game show aired from within Second Life on treet.tv . He had been invited by host Pooky Amsterdam. Nazz was on the show with Lyr Lobo, Nuala Maracas, and Praxis Carling. Hydra Shaftoe cohosted with Pooky as they quizzed Nazz and the others in front of a packed audience at the show one described as “a cross between lunch with Albert Einstein, and the 1950’s style game show.”

Sorry to say Nazz didn’t win. Maybe next time.

Following the show, Pooky invited the audience to see her new machimia: “I’m Too Busy to Date Your Avatar!” The video was done in response to the popular online music video “Do You Wanna Date My Avatar" by “The Guild." Pooky had finished it some days ago, and word about it quickly spread.

“I saw the ‘Date Your Avatar’ at 398 views,” Pooky told Second Life Newspaper, “and laughed to myself and said, ‘I’m too busy to date. And then the phone call introduction sequence kicked in. The (song) started working with Draxtor (Despres), sent a small song sample, and it really took off from there. He brought in Samuels Dream ... the music was by me, Draxtor, and Samuels Dream.

The video had a number of avatars in it, with Kat2 Kit bringing in some Tiny friends, “Emmo (Wei) and Pet(love Petshop), on the !st Question and Rob(wag Soothesayer) has been with me from the beginning, as has Kat. They are all part of the show.”

So if you’re an SLebrty, or someone else not so famous who’s felt a little overwhelmed by your online life, this song is for you.

Bixyl Shuftan

Spotlight On...XanderNichting Writer and Tamra Sands

On Friday, 28 August, I visited The Cape at Cupid Lagoon Romantic Resort on Kaiya Islands. Xander started off at 2 pm performing solo. He makes the most beautiful sounds on electric violin. I have been to man Xander shows and always enjoy him immensely. He does big band sounds, jazz, romantic, ballroom dancing tunes and, my favorite, songs from Riverdance. He even had a set of Riverdance dance balls. Those songs are terrific. Imagine though, a Dutchman playing Irish tunes. But, hey, good music is good music and has no ethnic boundaries.

Just before 3 pm, Tamra joined Xander on stage at the mic. This girl has such a beautiful voice and has performed on Broadway in RL. She hit notes that gave me goosebumps.

While Tamra is living in New York and Xander is in Holland, they dual streamed and the sound was truly magnificent. Some of the highlights of their duet included "Amazing Grace," "Route 66," "Eyes of an Angel," Sting's "Fields of Barley" and one of my favorite Streisand songs, "Somewhere." Tamra's manager gave us all her lengthy song list and requests were encouraged. I requested my favorite Tamra song "Eden Will Bloom," and I was not disappointed. She explained that she wrote "Eden Will Bloom" when her nephews were going off to war, which she was against.

This was a dynamic pairing of immense talent and I hope they do it again soon!

By Shellie Sands

NEW COVER CHARGE SYSTEM BEING TESTED FOR MUSIC VENUES

The controversy over music venues utilizing a cover charge has been
ongoing in Second Life for quite a few years. One Second Life
musician, Mankind Tracer, has come up with a Business Model called
CCS (Cover Charge System) for venues and musicians to begin using as a
mandatory cover charge tool to hear your favorite performers.

In an open letter to residents of Second Life, Mankind Tracer
explained how this type of system could be one answer to the
increasing problems of venue closings in-world due to the club owners
not being able to afford to pay their live performers in addition to
the tier costs of running their club. This Cover Charge System would
pay both the musician and the venue owner by an agreed upon percentage
beforehand, freeing the venue-owner from the burden of paying the
musician at all.

HOW IT WORKS--
The musician determines the cover charge amount and both venue and
musician agree beforehand on the percentage the venue will receive for
the show. (Mankind's letter suggests that a $500L cover charge might
be appropriate for his performances, with a 20% split going to the
venue.) The system would be set up prior to the event and once
activated, continually scans the club area for non-paying residents,
as well as logging paying residents into the system.

As residents enter, the CCS sends them a message asking them to pay
the cover charge. If they do not pay, predetermined security
personnel receive notices of avatar names who have not paid. These
security personnel will send the non-paying resident several warning
messages asking them to pay the fee. If they fail to pay after
numerous warnings, the avatar will be ejected from the venue.

CRASHES --
All paying and non-paying avatar names are kept in the system until
the owner clears the list. If an avatar crashes, they can return
without repaying. Likewise, if the sim crashes, they do not have to
repay when they return.

MONIES --
The performer determines the cover charge amount. And the percentage
that the venue would receive would be entirely up to the musician and
venue owner to predetermine. In this sense, the venue owners no
longer have the burden of paying the musician.

FIRST TEST --
At Thursday's first test of the system, Mankind Tracer set the cover
charge for one linden and performed for two hours at his "Sweet Spot"
venue. A considerable crowd was on hand, with several well-known
musicians and managers also in attendance. The crowd asked questions
in IM and on notecards and Mankind addressed each one in between
songs. While the system seemed to work well for this first 1L test
run, the true test would be to actually charge 500 Lindens and see
what the crowd does or doesn't do.

AVAILABILITY/COST
Once the system is tweaked and more test runs are performed
successfully, the system would then be made available. Whether or not
there will be a cost associated with acquiring the actual system
hasn't been determined yet.

RAISING CONCERNS
Several concerns are evident. New residents do not have lindens to
spend, especially for large cover charges. Residents who normally
would frequent several shows in one evening may only be able to attend
one show depending on the cover charge rate. Residents are
less-likely to tip if they are charged the initial fee to get through
the door. Sim owners would need to "parcel-off" their club/venue in
order that the stream isn't broadcasting throughout the entire sim and
also so that the Cover Charge System scans only the club/venue parcel
area. The obvious issues of performers losing their fan base, not
making enough money if people don't choose to attend, and even the
pinch some residents may feel at losing the control over freely
tipping... is of serious concern.

Time will tell how this proposed system will or will not become an
active part of the SL music scene. One thing's certain... people are
sure to make their voices heard on the issue. But that's the great
thing about Second Life, we still have a choice, even with a cover
charge system.

by Mystique Sassoon

“Live ‘n Kickin” - Paisley Beebe Speaks on Her New Music Show in Second Life

On 9 PM Second Life time, Tuesday August 25, a new show opened up in the metaverse: “Live n Kickin.” At “The Pocket.” Pilgrim75 Swashbuckler (Pete Mroz in real life) sang live to the crowd, who danced away to his music. What added to the excitement was that the show was being shown on Treet TV live. Those familiar with SL Media could make out a few familiar names in he audience, in the audience, notably Delinda Dryssen and Paisley Beebe whom with AutumnFoxx Sutherland made the show possible.

“This show was an idea I had from day one when I started in television in Second Life,” Paisley later explained to me, “Being a musician in real-life, it was a no-brainer to do this.” She stated AutumnFoxx Sutherland and Delinda Dyrssen were working with her to get the show up, both “involved in the music scene in SL for years.” But it was Delinda who was producing the show, “I’m paying for it ... which means I have the final say on things, but she is basically doing all the leg work.”

Paisley told me her production role was working with how it would look on Treet, “I’m looking forward to being able to shoot on location, and really get into some great (special) effects and locations.” She went on to say most of Treet’s show’s were “very straight studio-type shoots and events,” not having experimented much with light and filming techniques, “But I want them to go all out, get psychedelic even! To get really funky.”

“The Pocket,” which AutumnFoxx Sutherland and Delinda Dyrssen run, was chosen as their first spot as the place was familiar, “We wanted the first shoot to be easy, cause we didn't know what we would have to really contend with.” But they intend for the show to go to other places besides clubs, “We are not going to be shooting in venues all the time. We are going to be looking for some really way out locations ... underground, in a cave, underwater, in the clouds, in a spaceship, ... I want to do what is not possible in real-life.”

She hoped to involve the audience as well, “we are recording the audience reaction to each song, ... the applause and gestures, and what the musician says to the audience. ... I want our audience to know when they tune into Live n Kickin, they are going to get as near a professional performance as possible, hat it is going to be a really great experience! ... I don't know if you felt it, but the energy and buzz during the filming at Pilgrims show was just fantastic. Just being there in the audience, knowing that it was being filmed. And that Pilgrim was giving his all. He was amazing. I was so exited during the filming, I was dancing around the room. It was such a thrill to showcase such an incredible artist.”

Paisley and Delinda had featured close to a hundred musicians on the “Tonight Live” show on Second Life, “For musicians it’s not just about having a nice vid clip of their work. It’s about doing a gig, for around fifty people in-world. And then getting maximum exposure after that, to probably 3000 people a month in about a month’s time. ... Treet.tv archives are heavily watched over and over. With that sort of exposure, it’s the best way in Second Life for a musician to get to the maximum audience and sell their CD's and Mp3s.”

The show will next appear at Luxor, “We are hoping to bring out all the splendor of the Egyptian theme that Circe Brooms has.” Any musicians interested in getting on the show can contact Delinda Dryssen, “ Delinda is the producer of the show. Poor Del, she has been absolutely inundated, even before our first show was filmed!”

“I want Pilgrim and the other artists we showcase to get to as many avatars as possible, to sell their albums, and to get booked for gigs, both real-life and Second Life, and to get offers and good deals from being exposed on our show. I hope that happens. They deserve it. I can’t stand seeing such amazing talent undiscovered. I just can’t stand it, it breaks my heart. I know how tough it is. I’ve been there, and am still there. I saw it over and over again, and working in radio. Ignored talent. It was so very frustrating. Albums dropped by record companies, buried in basements ... I’m so grateful to help just a little.”

“Live n Kickin” will be weekly, 9 PM SL time every Tuesday, with shows posted on the treet tv website. Eventually, they hope to have videos on iTunes. They have a group for updates, and plan to have a subscribomatic soon.


Bixyl Shuftan

Music News

One venue owner is piloting a new business model beginning this fall. The owner of Rasta Ventures, TributeTim Kwak, has 3 venues, Red Rock Amphitheater (Pop, Country and other genres), Mama's (Blues), and a brand new Urban Alt Rock venue. Also on the sim is Rasta Beach (reggae DJs and one regular live performer a week).

Previously, Red Rock and Mama's have been operated separately from Rasta Beach and sharing staff. Beginning in September, Tim plans on linking the 3 live venues. with the reopening of Red Rock and Mama's and the opening of the new club. These 3 venues have formed a co-op consisting of quite a few live performers.

The concept is that an admission fee of $L200 will be charged. This admission fee will defray the cost of the venue owner of paying the high fees of the performers, as well as supporting the venues for their financial needs. Very often, venue owners are paying money out of their RL pockets to pay tier fees and performers' fees. It is understood that this is an expensive undertaking when one decides to open a live performance venue. As a result, many quality clubs close their doors because they can no longer afford to pay their tiers. planning 15 shows.

The revenue from the co-op will be equally distributed among the co-op members. The venue owner is responsible for coordinating scheduling, supporting venue builds, and providing "professional, well trained hosts," and streams. The objective is to "put on regularly scheduled, high quality performances 4 or 5 nights each week, with each event involving 3 or 4 musicians" "....lasting 3 or 4 hours." The expectation is a 30 avatar attendance, at $L200 a head, for a total revenue of L$90,000 per week in ticket revenues, split between (currently) 8 people, or L$11,250 each per week. At the current conversion rate, that equates to $43.27USD per week for each co-op member. Tim will use his share to pay hosts and managers, and stream fees, etc., but he noted it would not defray all of his costs.

Performers who would be invited to join this co-op would typically be "popular musicians (who) are interested and able to work well with a group of people." The term "popular" might be defined as "an artist with the demonstrated ability to consistently attract at least 30 people to their performances."

This concept is not entirely new. I, as well as others, including performers, have heard of such a thing through the music community grapevine, etc. I have done a small poll of concert goers and performers alike, and some have even said it's been tried before and been unsuccessful. One source explained that another venue owner/performer is also trying a new pay system at his venue.

According to Tim, an ongoing debate has been taking place on the Rasta blog http://rastaliveco-op.blogspot.com. I have collected comments from friends who have been going to live shows in SL for years, a venue owner, and some well know performers here in SL.

The general consensus is that it will not work. Some will go to fewer shows since music has been free from day one. One venue owner fears that if this does become the way music will go in SL, it will make live music "only available to the elite in SL who can afford to pay." This will "reduce the number of SL music fans" and that "one of the few free pleasures available to a new residents is live music." Another comment along those lines was "It won't work as I see it...most people won't wanna be in the 'Elite' group" and "other than groupies and loyal 'gotta catch every show possible' fan," he forsees "a pretty bleak future there." One very popular performer and his manager said they would want no part of it. Others feel it's just plain greed.

Some feel that SL should be an outlet for exposure, as many performers share the website links where RL CDs can be purchased. One comment was on the fact that the fans are never consulted and this is why it has failed in the past.

A big debate was on the "high quality" factor. Many balked at that since who can define high quality? It is a subjective issue, it is not science. Different people see quality in something/ someone that others will not.

On the positive side, some just accept it as the way of the future for music in SL, acknowledging that when venues can no longer afford to stay open, the musicians will have to create their own if they don't already have one, and they will have to charge for admission to cover their expenses, as well as their music.

An interesting point to note is, as many of you may know, often venue owners and musicians encourage fans to get the word out about live music through their blogs, newspapers, other writing avenues, etc. As a reporter covering live music in SL, the price of admission will exceed what I get paid for these articles. How will it then make sense to continue to write about live music as the musicians would like?

Answers to these and other questions remain to be seen. I anxiously await to see how it all plays out. Look for a follow-up piece here as things get underway and the wheels are set in motion.

Shellie Sands

Editors note: Watch for another bright idea to solve this problem tomorrow with Mystique Sassoon

Shannon "Oherlihy" McMahon Live in New Haven, CT

On 15 August, I traveled to New Haven, CT to meet friends and see Shannon live in RL. We were all so excited! Shannon was playing at a local, downtown book shop called Never Ending Books. An unusual venue I thought, but apparently they have local live musicians performing there every 3rd Saturday of the month.

The place was charming and quaint, consisting of two narrow rooms, with two separate entrances. The one room was jam packed with books, every which way on the shelves. The place runs strictly on donations, no real book sales (don't ask me how they do it). There was complimentary wine, beer, soda and water, as well as cheese and crackers and other snacks. I felt like I was joining friends for the evening.

Shannon was the first performance of the evening and took the stage at approximately 7:30 pm. The stage was surrounded by a red skirt (no idea what the stage really was!). The limited seating was in the form of folding metal chairs. The place did NOT have air conditioning, and man was it hot! I don't think anyone cared though.

Shannon looked surprisingly much like her SL avatar and she sounded even more beautiful in RL as she does in SL, if that's even possible. She is very unassuming and you can tell she sings from her heart and enjoys it.

Shannon played her stock SL favorites, including"Emotional Vampire," "Anyway," "The Test," and "Salvation Mailbox," a song for if she ever got to Nashville. She wrapped up her set with "You Never Loved Me."

Save for the members of the band following Shannon and a sprinkling of other folks, five of us were SecondLifers. Shannon explained what she does in SL and about those of us who traveled to see her live.

Following Shannon was another local band called Lonesome Sparrows, 4 seasoned musicians who were very enjoyable and hilarious. We asked Shannon to nudge them into coming to SL where I am sure they would have a following.

All in all, it was a great time and well worth the travel.

Shellie Sands

Duo Appassionato - Izabela Jaworower and Young Zeid

On 13 August, I attended the anniversary concert/summer recital of Duo Appassionato on Muse Isle Northwest at the Muse Isle Ocean Amphitheater. The stage is perched above the water, accessible by a ramp. Seating draped in white lent an elegant atmosphere to the venue.

Izabela is engaging and personable and did most of the speaking. An interesting coupling of violinists, she is Polish and Young is Chinese. Izabela was dressed in a beautiful pink gown and Young in a tux (I felt severely underdressed in my jeans and tank top!).

The first piece they performed was Duet for 2 Violins in G major, composed by Mazas. Mazas was a brilliant pupil of Pierre Baillot at the Paris Conservatoire, from which he received the first prize in 1805. His compositions for violin are, for the most part, studies and duets for young string players of all abilities that constitute methods for both violin and viola.

This was followed by 3 pieces, capriccios, originally written by Henryk Wieniawski, for he and his brother. It is a unique arrangement only available in Poland. The arrangement was compiled by 2 virtuoso concert violinists who wanted to perform together in 2 equal parts. The result of that collaboration is just awesome. Henryk Wieniawski was "unquestionably considered 'a violinist of genius,' an artist of great individuality, intensity of expression, and original technique. The influence of his technique is still evident in the style of some violinists. Izabela actually studied at a school in Lublin, Poland, where Wieniawski was born and lived.

Following that arrangement was Antonio Vivaldi's "Le quattro stagioni," or The Four Seasons. This is his most famous work of 1723 (part of Il cimento dell'armonia e dell'inventione or The Contest between Harmony and Invention). In essence, it resembles an early example of a tone poem, where he attempted to capture all the moods of the four seasons. Born in 1678, Vivaldi worked in a Hospedale, or boarding house,for the illegitimate girls of nobelmen, where they had music of the highest standard. He composed "Le quattro stagioni" for those girls.

Wrapping up their set was Bach's Concerto by 2 violins and their trademark piece, written entitled "Passacaglia" by Handel-Halvorsen. Halvorsen was a Norwegian violinist, composer and conductor. He studied at the Stockholm Conservatory, as well as in Leipzig, Berlin and Leige. He was appointed conductor of the theatre in Bergen in 1892, and served as conductor of the Christiania National Theatre from 1899-1929, where he directed over 25 operas as well as orchestral concerts. Halvorsen's compositions developed from the national romantic tradition of Grieg and Svendson but in a distinctive style marked by brilliant orchestration.

The Passacaglia is taken from Suite #7 in G Minor where it serves as the sixth movement. This work is very demanding on the performers; part of its virtuosity entails having the two instruments simulate the sonority of a string quartet, through the use of double stops (the playing of two or more tones simultaneously on the violin and related string instruments). The Passacaglia is a form of baroque music said to derive from a Spanish dance.

Overall, Duo Appassionato gives a beautiful and lively performance. I was again amazed by their incredible skill and immense talent. They possess a musical harmony and spirit and flair that makes for a refreshing stage presence. Many of the pieces they perform are considered very demanding pieces and yet they do them so well. I had seen Izabela once before as part of another small group, comprised of Clarissima and Kahuna Schumann. This is a must see for the classical music fan.

By Shellie Sands

The O R I G I N A L S III

On 9 August, live at Menora, POL Arida once again brought together a fabulous grouping of musicians, all performing 30 minute sets of strictly original tunes, for a total show time of 6 hours. A portion of that awesome is are captured here.

Catch up with Shellie in the EXTRA EXTRA section

Spotlight On...Zak Claxton

I have had the pleasure of enjoying two of Zak Claxton's shows this summer, one on 20 June at the Broken Rocker at Gorlen Hill and the other on 7 August at Ambrosia Dance Club.

Zak really rocks on the acoustic guitar. He is a bright "musical jester" and an admitted "lazy bastard." He plays the acoustic in world simply because it's easier. Zak performs many covers, including Steely Dan, and the Who ("Behind Blue Eyes"). At one of the shows I attended, he performed, for the first time live, Bob Dylan's "Tangled Up in Blue," as well as the awesome Joni Mitchell's "California" (one of my person favorites, anyone remember vinyl?) and Neil Young's "Ohio," which he graciously dedicated to me. At the latest show I attended, he did U2's "One Love," which I have to say he did very well. He also did my favorite Beck song "Loser," and he definitely had me rockin!

Some his originals include "Always Tomorrow," a song about his RL romance with Kat Claxton when they lived 1,000 miles apart--what a love story, "Like a Cloud," and "This Afternoon," a song he says is about "time, space, and the continuum of all stuff."

Evidenced by his covers, some of Zak's musical influences include Neil Young, Nick Drake, Joni Mitchell and Pete Townshend. Other influences include Tom Petty and David Bowie--a pretty eclectic grouping of musicians by anyone's estimation.

Zak is a dynamic performer whose personality and great sense of humor clearly early illustrate how much he loves what he does. He sings with a clear, strong and very passionate voice, and he totally embraces the audience. A bit of an egotist, he scours the web for articles and other write ups on himself. He plays to the crowd, often incorporating ava names into his songs when appropriate.

Zak is a singer/songwriter/instrumentalist hailing from Southern California. Originally beginning his musical journey on piano, Zak picked up the guitar by the age of 7 and has added electric guitar, bass and harmonica to his songs. Trained at Berklee College of Music and Musicians Institute, Zak earned his degree in music from California State University. Zak began his current musical endeavors sort of spontaneously. He claims he "woke up one day and had songs in my head. It was a case of great circumstances that aligned at the right time. I had songs; I had access to a great recording facility; I had friends who wanted to help me realize this vision. So I did."

With a loyal, enthusiastic fan following, especially in SL, Zak always jumps at opportunities to performing his songs live. Zak is a performer/musician who exhibits great showmanship and has a very entertaining stage presence. Check him out if you get the opportunity.

By Shellie Sands

More About Grace McDunnough

I've written about Grace McDunnough in these pages on several occasions recently, including the Musimmersion show i attended on the 1st of June and other performances. On 7 July, I had the good fortune to get an invite from Grace's group to attend an event Molaskey's Pub where Grace appeared as the guest speaker. A few days later, on the 11th, I received a group invite to join Grace in her "sometimes home" in SL at the Inside Out Cafe. It was while having attended these events, that I began to see a common theme and garner insight into the mind and thinking process of the musician known as Grace McDunnough. What you are about to read is a blend of the three events, as well as Grace's history here in SL.

Grace first looked into SL in 2005 but was not very impressed it as she noted in her talk. She did return in 2006, when she rezzed Grace, when she discovered SL could actually be a creative outlet. She at first led weekly poety readings at Mill Pond and opened a poetry gallery where people could share their poems. Grace admits some of her original songs were derived from the poetry she'd heard there. It was not long after that when she discovered live music on Mill Pond. Friends helped her get her start as an SL musician, enduring her "melt downs" and "debiltating stage fright." She finally got on the mic in Nov 2006.



Performing at Mill Pond for awhile, and driven by her "insatiable curiosity," Grace eventually branched out to other venues, including Salome Strangelove's Freudian Slip and Carter Liveoak and Gillian Carthage's Heron Island Peformance space (HIPs), both of which remain her musical homes. When Grace saw some of Salome's amazing lyrics, a collaboration began, with Sal writing and Grace composing.
Grace also put together the Miill Pond Folk Festival (MPFF), which encompassed 15 hours of art and live music on 3 stages and across 2 sims, with over 50 musicians from 6 countries. This experience led her to begin thinking about Musimmersion, of which she has done 3 productions thus far. Grace has learned that through frustration, inspiration often comes and this was how Musimmersion was born. Grace wanted to do something "evocative" after her many bookings for gigs in SL, something different. Whe became "motivated" to see if she could "break out of the normal live music experience" and take people on a journey so to speak, using the music as a transport vehicle to connect with what people have experienced, to "shape" their connection with the music and lyrics. She achieved this via Musimmersion, where she blended visuals with her music in a different way. With help from Salome, Gillian Paddy Wright and Almathea Blanc, some amazing sets were built to accompany her original songs. I attended 3 of these productions and was truly in awe. Originally doing her Musimmersion productions every Thursday, Grace hopes to increase the schedule closer to SLCC, running through Labor Day Weekend in the USA.

Grace began taughter herself to play guitar at age 10 but didn't stick with it after having been asked to play a song she wrote for church. In front of the entire congregation, her stage fright, and most likely her tender age, got the best of her and she admits she forgot the words. Following that, she had what she terms a "mishap" and ultimately threw up behind the alter (sorry Grace, you put it out there).

On Saturday, July 11th, Grace invited her fans to join her in her at the Inside Out Cafe located on Nevi. And true to Grace form, this place was a unique spot. Just another example of Grace's unique and talented mind and fairy-tale imagination.

It has a treehouse feel to it, but is really multi level, round platforms, with lots of seating, including clouds to perch upon! I absolutely loved that and quickly helped myself to a nearby cloud. I happily bobbed gently up and down on my cloud seat while Grace played all her beautiful melodies. I was able to change poses on the cloud and opted for the dream pose. In addition to the clouds, a giant stork also served as a creative seat, towering above the crowd. At the second show I attended at this venue, I chose the stork as my seat, where the wings can be changed. I ended up with dragonfly wings and was lifted high above the rest of the crowd. A very awesome place this is.

The artist known as Grace McDunnough is truly an amazing and talented lady. She never ceases to amaze me with her skill, her creativity, and her very humble demeanor.

Shellie Sands

Spotlight On...Deadeye Foggarty and Mash Rhode

By Shellie Sands

On Thursday, 1 July, I visited my friend Sternchen's place, The Old Barn in Metropolis Unknown, to check out a performer I had not yet heard. The first attraction was Deadeye "DE" Foggarty, a surprising, versatile talent, who loves a good story song and is equally at home with tales from either the darker side of life or the lighter side of things. Deadeye Foggarty is a songwriter who brings an eclectic blend of acoustic music to the stage. His performances feature offerings from traditional folk and roots music to the work of contemporary singer/songwriters in addition to his own original compositions. Currently living in Minneapolis, DeadEye first started playing guitar and keyboards in high school, and did gigs in assorted R&B bands, as well as the Wisconsin-based music duo "Woodenships." I was impressed with his pleasing, soft voice as he sang through gentle ballads with his acoustic guitar beautifully pouring out sound in accompaniment. DE's repertoire typically includes the work of such diverse performers as the Carter Family, Townes Van Zandt, and Tom Waits. His all-acoustic set showcased his warm, soft and sweet voice like a gentle lullaby. On this particular day, his performance included one of his original tunes, "Waitin' Around for Better Days," a song about hope and keeping the faith; Emerson, Lake & Palmer's "Lucky Man" and the classic "Over the Rainbow" (beautifully done). He closed with Jackson Browne's well known "Rock Me on the Water." I look forward to attending another one his performers again soon.

Following Deadeye was Mash Rhode, an Irish blues singer who hails from Dublin. He has earned the monicker "The Badboy of Ballads," and, according to his profile, he is a "Drinker with a guitar playing problem." Mash plays an accoutic set and he did a
Fabulous rendition of Gordon Lightfoot's "The Edmund Fitzgerald," a song I have loved for millenia. He sings passionately and has the most charming accent. Multi-talented, Mash is also a watercolor artist in real life and his paintings can be seen at the Limerick Art Museum in County Limerick, Ireland. A review I read of the musuem had the following quote, "This art museum has many paintings one on top of another all in one room by Ireland's leading nineteenth and twentieth century painters..."--sounds quaint. If you find yourself in Limerick ever, check out the museum. In addition to The Old Bar, you can fine Mash performing at Mash's Rhodehouse, Buddys Bar, Guthries, Blue Moon, and every Saturday morning at Cuddlers Cove. To join his group, you can send him an IM and become one of Mash's Rhodies.

Deadeye and Mash can be found at The Old Barn every Thursday.

Spotlight On...OnlyHalfCrazy Gumbo

OnlyHalfCrazy Gumbo (OHC) played recently at the Falling Waters venue, together with her side kick, Heckova Hampster (yes, you read it right...Hampster, I can't make this stuff up!).
OHC is a live singer with a wide selection of songs thanks to the wonders of backtracks. She performs a variety of covers ranging from Rock, to Country, some blues, some showtunes, and jazz, performing tunes by some of her influences in life, such as Pat Benatar, Stevie Nicks, Judy Collins, Linda Ronstadt, The Beatles and Journey, as well as Shania Twain and Sheryl Crow.
One of the most entertaining performers in SL, OHC hams up the show and has a wonderful stage presence. She sings like she's actually alive! lol and definitely from the heart and soul with the signature of her own style. Her set included tunes by Fleetwood Mac, Prince (Purple Rain) and Bonnie Rait. And not to be outdone, the Hampster also sings (no lie!). He belts out his own rendition of George Thoroughgood's Bad to the Bone (watch out George!) and does his share of entertaining the crowd.
OnlyHalfCrazy Gumbo has been singing most of her life. Her genre of specialty varies from Classic Rock and Country with a smattering of Jazz and Blues intermixed.
A quote from her profile: "Sometimes I pretend I have a brain, but really, if you start taking me seriously, you are going to wind up seriously crazy!! Try not to do that, unless of course you are a half crazed groupie, then you've like, already done it!"
OHC is a surprising talent with a beautiful, strong voice and fun personality. Her audience is taken from laughter, to tears and back again. It's always a blast at an OHC show! The goal is FUN and laughter.
If you would like to have OnlyHalfCrazy perform at your venue, just contact her via IM and she’ll get back with you. You can find her myspace at http://www.myspace.com/onlyhalfcrazed or
http://www.soundsfromtheheart.com "if you want more verbose crap."

Shellie Sands

Second Life Musicians Plan Montreal Music Mixer

By Nazz Lane

I’d found out about the mixer on a recent evening while at my usual haunt, the Tranquil Café. A poster and note card giver had been a recent addition I noted as I spun my camera view around checking out the lively crowd assembled. Brianna Beresford, owner of the café told me that she’d just gotten the kiosk and had set it out that evening. I clicked to get a note and read it as soon as it rezzed, noting the date for the mixer as July 25th and the location as Montreal, Quebec. Scanning down I saw that contacts for those interested in learning more about the event could contact, Montian Gilruth, Mimi Carpenter, Maximillion Kleene, or Bree Birke. The organizers have billed the event as “A musical gathering for the lovers of live music in SecondLife in the west end of Montreal.” They are planning an all day event to play tunes, hang out, stream short sets into SL and perform an evening show which will be open to the public at large. And … the note also said … “If there is enough interest we may be able to have a mixer at a local bar /restaurant the evening of July 24th”.

Here’s the tentative schedule for Saturday, July 25th from event organizers.

12:00 Opening

1:00 Streaming of Scheduled SL shows from the main stage

2:00 Streaming of Scheduled SL shows from the main stage

3:00 Streaming of Scheduled SL shows from the main stage

4:00 Streaming of Scheduled SL shows from the main stage

5:00 Dinner Break BBQ

6:00 Dinner Break BBQ

7:00 Preparation for concert

8:00 Public Concert begins as well as SL streaming

9:00 Public Concert

10:00 Public concert

11:00 Concert ends and participants move to location in the village TBA

Finished reading it, I closed it and scanned around the café again, where I’d noticed one of the organizers had just arrived, Max Kleene. I sent him an IM and we chatted briefly as he was there on a stopover on his way to perform a gig soon at another venue.

Nazz: It looks to be a great event, how'd the idea come about?

Max: Well Mimi was going to visit Montian this summer, and then she asked if I’d tag along. It was after then that Montian thought about the hall and inviting lots of listeners out. At first it seemed ambitious ... but it's getting a great response, and now it's shaping up to be a great time.

Nazz: It sounds like it will be. Is this the first time you all have planned for a mixed reality event of this size?

Max: I’m not sure … first one I’ve been involved with. I've met and jammed with other SL musicians a few times, but this is the first time we'll do a "show" kind of thing.

Nazz: Have the locations in SL been finalized?

Max: No not yet.

Nazz: How many SL venues will there be do you think?

Max: Well, one plan was to let any venue host the stream, and do an event for 5000L to help with the costs. I think that's fair and with all proceeds going to a local charity.

Nazz: That's most generous ... what has been the response so far with venues approached?

Max: Well, we aren't doing much approaching venues … none at all actually … just whoever is interested can sign up.

Nazz: Is there a web site with information?

Max: No website ... but I think Bree Birke has information on her site.

It was a day later that I caught up with Ms Birke who had this to say about the mixer. “Having been to the Montreal venue for much a smaller get together a couple of times, I'm really excited about this one. A lot of us have known each other for a long time in SL. Some of us have met but not on this scale. This is primarily a social event … we've been brought together by the music though, from the start."

Spotlight On...Etherian Kamaboko

Etherian Kamaboko performed on 17 June at Tobacco Road in Sorens. An INCREDIBLE talent, Eth weaves his magic using 6- and 12-string acoustic guitars, electric guitar with harmonica, Resonator slide guitar, and keyboards. He's been entertaining crowds in SL for nearly three years now and has been performing live in RL since the tender age of 11 when he joined his first band.
His genre includes blues, Americana, classic rock, folk and foo grass, and his repertoire showcases covers by Dylan, Traveling Wilburys, Warren Zevon, Rolling Stones, John Prine, Billy Joe and The Cars to name a few.
Making the world his oyster, Etherian has lived and traveled in NYC, New England, Guam, Hawaii, SE Asia, Africa and Europe. His tavels began at age 10 and before long he was pulled into the music scene and remains hooked for life.
His show as very well attended, including Blues great CharlesEBristol Xi, and a very large dancing zebra! (can you say LAAGGG? lol).
Contact Etherian Kamaboko or Blondee Stardust for bookings, visit his SL Google Calendar is at http://www.google.com/calendar/embed?src=robyroberts%40charter.net; www.myspace.com/etherianexpress
Shellie Sands

Spotlight On...Kourosh Eusebio


Appearing every Saturday at 8 a.m. SLT at the gorgeous Nitidia Ridge, it was my extreme pleasure to go listen to musical genius Koroush Eusebio. A psychiatrist AND musician in RL and a fan of Metallica, Kourosh blends electronics with keyboards, producing an amazing sound like none other, hauntingly beautiful yet strangely sad and ethereal.

Filled with emotion and inspiration, gently stroking the keyboard and calming the soul...soft sounds building to glorious crescendo. Kourosh takes his own music and continues to further improvise.

Nitidia Ridge was the perfect backdrop for this talented artist, with a beautiful fountain and hummingbirdsflitting about, described by Kourosh as "a Gathering Place just above the clouds, yet on the ground." A truly magical place with intermittent shadows and electric, cloudlike light. In attendance was fellow musician Fyrm Fouroux, a fine talent in his own right.

Kourosh: "What gives good music timelessness? How does music transcend years or centuries - speaking to and carrying through the emotions of generations unborn and unknown?" Come to the misty mountaintop that is Nitida Ridge every Saturday morning and discover what he means.
Blog: http://www.kouroshdini.com/

By Shellie Sands

SPOTLIGHT ON...

On Wednesday, June 17, Andreus "Anj" Gustafson made a brilliant appearance on the Havens Paradise Stage located in Sorens.
Anj is an incredibly talented musician who performs an eclectic mix of songs in a genre one might describe as progressive classical rock, from the 70s, 80s and 90s...for now. He is equally skilled on keyboards, guitar and flute and progams dynamic and delightfully awesome back tracks.
A typical Anj performance might include covers by Radiohead, U2, Jethro Tull (the likes of which Ian Anderson himself would be proud!), Coldplay, Matchbox 20, The Beatles, Emerson Lake and Palmer and Sting, as well as his own songs.
Anj recently released a CD entitled "Distant Suns." Anj is one of my personal favorites and I enjoy him immensely....you will too. If you own a venue and are looking for a dynamic performer who will draw a large and wonderful crowd, contact Anj directly, visit his website (www.a3d3.net, www.myspace.com/a3d3) for availability, or contact Carol Greenwood. Available most weekdays from 3:00PM SLT through 8:00PM SLT.
Shellie Sands

SPOTLIGHT ON...

Bara Jonson: Swedish Singer/Musician
Signed to HondoMesa Records, NY, USA May 2008.
Streaming Live from St Louis, MO or Malmö, SWEDEN

Bara Jonson was born on Nov. 26, 2007. Since coming to SL, he found his way back to music and won the Virtual Music Awards 2008 Category of Best Artist. He is anxiously awaiting the birth of his first son and he is quite excited, which I find very sweet :)

Bara followed Shannon Oherlihy, who, in my estimation is a very tough act to follow, but Bara is just the man to do it and do it well. His strong, clear voice accompanied by accoustic guitar, is quite pleasing to the ear. Bara does mostly originals with a few cover tunes thrown in. A great entertainer...the first time I went to one of his shows, I was impressed. I had seen the name all over but never had occasion to listen. He is definitely someone to go check out.
By Shellie Sands