Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Artistic Fimicoloud Memorial Dance

It has been two years since Second Life resident Artistic Fimicoloud, Fimi as she became affectionately known, passed away from cancer. In real life, she was Stephanie Koslow, an artist whom did a number of pictures whose work can be seen in the Metaverse to this day, in both an art gallery and private homes. Battling the illness for years, the woman behind the pink fox avatar kept up to the end. She was 49. A member of the Sunweavers and Passionate Redheads, she remains fondly remembered by both.

A year ago, the anniversary of her passing was marked with a candlelight service. Recently, a number of people in both the Sunweavers and Passionate Redheads have had family members pass away. So instead of a solemn service, it was decided to hold a memorial dance in her honor. The event was held in the Southern Colorado sim near what is now known as Fimi Falls, land owner and Passionate Redhead organizer Daaneth Kivioq explained, “I only met Fimi a few times, but I was abel to show her this place, and she fell in love with it - so I dedicated the falls to her memory.”

Come join us on Wednesday, May 26th at 6PM for a wonderful live music event
Celebrating the Life & Art of Artistic Fimicoloud. The event will be held by Fimi Falls
in the beautiful Southern Colorado Sim. There will be Music, Dancing and Fireworks!


At the beginning of the event, there was a snag when the musician for the first hour was unable to show op. So Shockwave Yarearch took over, offering a mix of songs, including “Smurfer Girl” and a few other parodies, “Fimi loved my little silly songs.” No formal wear was required. “Come as you are,” Daaneth told people, normal human and furred, dropping in, “I’m wearing T-shirt and jeans.” One lady dropping in had been absent from Second Life for months, her computer busted and then busy with college.

“Relay for Life in Second Life
Celebrate
Remember
Fight Back!
GO RELAY”

Throughout the event, people talked about Fimi, her art, and her life. A Relay for Life kiosk collected donations as they came in. At 7 PM, Shockwave stepped down and Vaughan Michalak stepped in with live music. At one point, Daaneth handed the crowd a challenge, “Fimi spent many years fighting cancer before she lost her battle - as a result, she often hid pink cancer awareness ribbons in her paintings - now a few of you know where it is already - but there is one hidden near here too - can you find it?” Several people spotted the hidden ribbon.

At 8 PM SL time, DJ Nydia Tungsten began spinning her mix of tunes. During this time, there was a fireworks show, the sparkle of lights exploding all around. One sparkle of lights didn’t fade, but kept going, changing color, occasionally appearing as pink as Fimi. Eventually, the end of the event approached, and Nydia put on her last son, “I Run For Life.”

As the event closed, Daaneth thanked Nydia and everyone who came, “You are all my heroes! thank you for being here tonight! ... FOR FIMI!! Thank you Nydia! And thank all of you for your support and generosity!”

Over 34,000 Lindens had been raised during the event for Relay for Life.


I run for hope, I run to feel,
I run for the truth for all that is real.
I run for your mother, your sister, your wife.
I run for you and me my friend, I run for life.


Bixyl Shuftan

Debi Latte Closes Mystery Anniversary Week in Fun-Filled Event

On Sunday at Noon, May 23rd, the 4rth Anniversary week of events at Mystery was all set to close as it began: with Debi Latte singing live aboard the Queen of Hearts riverboat club. Her velvet voice would be what was needed for a memorable finish.

It didn't quite turn out as planned.

The event was almost finished before it started with Debi crashing. And then an odd thing happened. Debi was able to log back in, but her avatar didn’t appear. It was like a disembodied voice speaking from nowhere.

With no Debi on the stage, Tygeria put something else on the stage: “newbie Linden” mannequins. After a few minutes, she put other things on the stage. For a corny but slightly macabre touch, three singing skulls rezzed over the stage, along with another blowing into a saxophone, and another on bongo drums. Then came a dancing leprechaun, smiling, which would occasionally stop for a sip of dark beer.

Eventually, Debi reappeared, flying back onto the deck. She had gone away some distance from the crowd to try to rezz. But having no luck, she had to dig out a newbie skin. She poked fun at her own predicament, then saw what Tygeria put on the stage, and laughed. Mystery staff member Ayjay Carpenter commented, “Who said variety was dead. Ventriloquism, a chorus line, great singing, a vanishing act. ... all in the first 25 minutes!” With all the crashes, Ajay was wearing a helmet. Someone else remarked, “Only in Second Life can your back up group be skeletons - some newbies - and a drunk leprechaun.”

And so, the event continued, with Debi occasionally chuckling about the menagerie on her stage, which soon included a rustbucket robot that later fell to pieces, and otherwise looking at the good side of things, “What a terrific day.” Tygeria put back a few of the newbie mannequins, but left some up. Debi sang her music like only she could, songs such as “Daydreaming,” “I Will Be Here Waiting For You,” and the club’s trademark song, “Queen of Hearts.” Someone in the audience muttered an emote: “D-E-B-I SL DIVA GODDESS.”

Debi sang for an hour, then the event came to a close. Despite the technical glitches and having to use a newbie avatar, she enjoyed herself that day. Tygeria’s sense of humor helped. She would later describe the event on Facebook, “Seems that SL wanted to be crazy today and not let my avatar back in after a crash.... but... the show went on.... my amazing audience stayed til I got in with a freebie avatar... and we had fun aboard the Queen of Hearts in spite of the technology!!!!”

Just in case this does happen again, someone passed her a package of freebie “Wingless” furred avatars. So perhaps next time, Debi really will be a “foxy girl.”

“You've been talking to Tygeria toooooooo much. LMAO!”

Bixyl Shuftan

Flood Relief Benefit for Cypress Rosewood

Cypress Rosewood (Tony Gerber in real life) was on his way home in Nashville Tennessee after a real-life music performance when trouble struck. Nashville was hit hard by terrible flooding, Cypress hearing it called a “five-hundred year flood.” He was unable to get to his home. Fortunately his wife and daughter were able to get out, but his home and shop were flooded and when talking to Progressive Insurance he was told his policy had an “exclusion clause ... for water damage.”

As a result, friends of Cypress have been organizing to raise cash. One such benefit will be this Saturday May 8 at “The Pocket.” Beginning at 4 PM SL time, various musicians will be performing until Midnight. The musicians include OhMy Kidd, Keiko Takamura, and CraigLyons Writer. Also there will be Azar Shelman, whom in real life is Tony Dyson, the man who designed and built R2D2 for the “Star Wars” movies. He will be taking a few minutes to answer questions and pass out a few gifts.

Another event was held Friday at 2:30 PM at the French Quarter sim. Cypress’ “Twitter” has the words, “Everyone making donations, thanks so, so much. We are blessed and we are humbled.”

Earlier this year, Cypress Rosewood was the subject of real-life trouble when a burglar broke into his home while he was performing. Not unlike now, friends raised cash to help make up for the loss of valuable equipment stolen.

The Pocket is located in the Freestar Bay sim at: 216/32/24.

Bixyl Shuftan

Sources: Delinda Dyrssen’s Blog

Debi Latte Sings Live at Mystery

At the Mystery sim on Sunday April 11, regulars to the riverboat club got a real treat. Debi Latte came to the ship at Noon to sing at the live music event, her graceful voice being quite memorable. Also memorable was an example of the sim owner’s mischief.

For the story, go to Community.

Ghost Ship Crashes Live Music Party at Mystery

On Friday afternoon, the Heart of Mystery Riverboat Club at the Mystery sim held one of it’s live music events. At 1 PM SL time was Zorch Boomer, whom provided blues and pop music to the crowd. At 2 PM came Lexie Luan, “The great music continues on the top deck of the Queen of Hearts as Lexie Luan takes the stage at 2pm!! Come hear this wonderful singer today!! Hope to see you here!” Sim owner Tygeria Mirabeau and sim manager Amythe Midnight were there. Micah Giha was the host.

With the sim at nightfall, the graceful Lexi wowed the crowd as she sang while strumming her neon-pink guitar. The audience responded with applause, “Woo-hoo”s, and comments like “Over the fookin’ edge.” A couple times, fireworks shot over the club, providing a little flash and color to the show.

Later in the show, the party got a visitor of a more supernatural and aquatic note. A roar like an ocean wave could be heard, but there was no sign of a big wave below. Then the audience saw the wooden bow of an old-time sailing frigate plowing through, but it harmlessly passed through everyone it touched. A ghost ship!

In just a few moments, the vessel had slid across the deck of the riverboat club, the stern leaving a little water in it’s wake, which vanished as the ship sailed on. The ghost ship sailed on for a little longer, and soon faded into the night from whence it came. The audience paused for a few moments before Tygeria called for the party to resume.

Lexi left the riverboat at 3PM, but before doing so revealed a little surprise for Tygeria with the help of Amy. Even though the musician left, some of the crowd stuck around for a little longer to continue the party.

* * * * * * * * * *

On another note, Mystery is currently hiring additional hosts for it’s events. For “Themed DJ Events, the base pay is 150 L for two hours. For live music events, base pay is 150 L. The pay is in addition to tips given to the host by those attending, which can exceed what Mystery pays. Those interested are asked to contact Micah Giha or Amythe Moonlight by notecard (IMs tend to get capped). They are asked to follow rules for a PG sim.

Bixyl Shuftan

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

I have to admit that I’m not the biggest fan of rap music. I loved the stuff in the late 80s and early 90s but I can’t say that I enjoy it these days. But with a guy like Snoop Dogg, rap doesn’t even matter because this guy is simply awesome. I mean he’s a very tall, lanky, stick of a man who is absolutely hilarious.

Not sure if it’s because of all the weed or because he’s willing to make an ass of himself, but there’s just something amazing about the Snoop a Loop. Guy just enters a room and you can tell that something good is going to happen.

And with that in mind I’ve found 15 solid pictures that you just can’t help but to smile at…

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

Classic Pictures Of Rapper Snoop Dogg

OD Designs Custom Music Shop

Want to go to a place where you can not only get a cool guitar, but also customize it to your liking? Head on over to OD Designs, where one can get guitars, drum sets, and musical AO's to perform your own dream concert, and more.

The store itself has a *huge* variety of guitars up for sale, grouped by the name of the maker of their real-life counterparts, as well as the models and color schemes of the instruments.

“There’s no real genre attached to this (store),” store director Leilani Teskat explained, “We have several different musical tastes here. I’m trying to get a Shakira tribute to play here soon, hopefully. Our tributes are open to any of the tribute houses. We offer that to give them added exposure. Plus, we also have the OD Band HUB too. That gives even more exposure, that’s located out on the back porch. We also have OD Live, which is our Live Artists branch of things. We’re partnered with some live performers too, StevenJaimz, Anek, Space Junky, to name a few.”

“So it really is a wide open genre. (laughter) Which I prefer, because it adds to the variety.”

Leilani went on, “Also, we’re partnered with real-life guitar manufacturers ... Ortho makes reproductions in-world of them.” Leilani explained the real-life companies treat the virtual goods more or less as a kind of advertising, “so we provide text shouts when the person wears the guitar. Plus, we have links from the OD website to all of their sites. Plus, I have them followed on Twitter too, and we have them on Myspace and Facebook. So we’ve got the whole web 2.0 network going.” Feedback from the real-live guitar companies has been “very positive. Actually, some of them have been so impressed, they linked our website onto theirs. So we have our pages on theirs. The ones I specifically built myself, so that’s been a real feather in my cap, so to speak. ;-) “

She brought up the website of the BC Rich guitar company, which at the bottom had “Visit BC Rich at” followed by several places online, the one virtual world being Second Life, which was a link to her OD Designs page (http://www.odmusic.info/leilani/bcrich%20webpage.htm). “If you go there, and look at the very bottom, you’ll see the link to SL,” which was a SURL to their store, “That’s the webpage I made for them, and the others too. It’s added promotion for them too, something interesting.”

But the store does more than just sell guitars, it allows one to modify them, “We’ve got (a) custom shop that allows people to customize their OD guitars and basses, even adding their own stickers to their instruments. It’s very cool! ... There’s also a short video on how to do it.” She showed me the shop, which has separate stations for stickers and streamers. A webpage shows two videos on how to operate the booths (http://www.odmusic.info/CustomShop/customshop.html#Custom%20Streamer%20Station). For stickers, one can select from the textures in the station, or use one of your own from your inventory. You can also enlarge or shrink the sticker and choose where on the surface of the guitar front you want it. For streamers, the guitars come with three invisible ones hanging from the headstock. The booth allows you to texture and tinit from one to three. Once again, either one can use a texture of those from the booth or one of your own.

When one wears the guitar, one gets a copy of the Heads Up Display to control it with various animations, “you can also adjust the guitar on your av (recommended if you have a tail), then when you have it positioned properly, click the guitar and select ‘Teachfront.’ “
The custom shop has its own HUD as well to help with editing the guitar. Guitars can be copied for one’s inventory, or one can use the store redelivery system for a new copy.

For purchases made at the store, customers are given OD rewards points. “Just like air miles, in a sense,” Leilani explained, “It’s helped out a lot of people who want to do tributes.” In picking the guitar, one may want to pay attention to how it’s color compares to your clothes, “ That's the biggest problem I've found is matching the color up. Sometimes SL can make it kinda disappear. If you have an all black ensemble it gets lost.” The guitars are also highly detailed, down to the strings, made from about 180 to over 250 prims. Most of the guitars come in three sizes, “some of these guitars are so big for my av ... but I want them that big to show off, if I use the Medium sized ones they look good but you can't see the detail.”

Besides guitars, OD Designs also sells drum sets, in different sizes, “the medium ... , the monsters, these are the model most commonly used in Second Life, and the small ... People usually get them depending on which tribute or application they are wanting to do.” Like the guitars, the drums are highly detailed, “we do offer a wearable version of the drums just in case people don't want to use up any prims.” The largest “monster” set is The Titan, “there are a lot of people who just love that particular drum kit ... they also do different things, like the Titan there can spin around and even UFO around.” Like the guitars, drum sets come with their own HUDs for options like different styles of drumming, lights and special effects, and spinning the whole set around drummer and all, “I suggest not doing it in Mouse View.” Sitting on the drums, one gets a copy of the HUD plus the drumsticks.

OD Designs also sells keyboards and pianos.

Animations can be remote-controlled, “say you were a live artist playing a guitar, you could have a friend control your animations.” OD Designs sells the H2V vocal HUD, “some do use this vocal HUD along with the guitar playing as some real-life artists sing and play guitar.” And it also has the H2X, a whole-body HUD similar to the one with the guitars, but has many more animations, over fifty, “ think of it as the HUD you get with the guitar is the H2 lite.”

Leilani also pointed out the Redelivery and Help Center, which can get people a fresh copy of their guitars, as well as showing how many reward points they have.

“Someone can come in get a guitar, and be able to do a tribute or performance right away,” Leilani explained, “and we also have a database of people wanting to get into the SL music industry (so to speak) ... the SL Live Music scene is very live and kicking, there are a LOT of live artists, some using SL to promote their own music, and then directing people to their websites to make sales. ... We're trying to help the people get more gigs too because we know that if they're not making the lindens they can't purchase OD Gear. So I'm always looking for ways to help people, and help them step up their performance too. Not just me but the other OD staff. We all help out in customer service.”

The OD Designs website is at http://www.odmusic.info/. The page for the custom shop is at (http://www.odmusic.info/CustomShop/customshop.html#Custom%20Streamer%20Station) and the one for the H2X Full Motion Authentic Guitar Animation HUD / AO at (http://www.odmusic.info/H2x/H2x.htm).

“OD ROCKS!!”

Bixyl Shuftan

Some Favorite Communities in Second Life


Second Life is full of interesting places and fascinating people, but when the two come together in a community: that's when the real fun of SL comes to life. I was invited to write about an incredible community in SL called Chilbo. Chilbo Public Library is one of SL's most famous libraries. And the community itself is very intriguing. Chilbo comprises multiple sims which are inhabited by artists, musicians, poets, writers, and many other creatives. One current project is Poetry Benches. Chilbo is inviting poets gridwide to participate. You sit for a spell on a Poetry Bench and a poem appears! Cool! In the picture, I am having an SL brunch with Chilbo resident artist Kristine Kristan and our friend Kelp Parkin. Behind us is the Cat Cage, Kristen's very arty SL house. Check out the community website and blogs at Chilbo.org; which are quite impressive resources about SL culture (great links on the side navibars!).

Kelp Parkin and I met through another great SL community, New Citizens Inc (NCI). I've been teaching free classes at NCI for 2 years, and we just started a new course on Photography & SL Journalism. Kelp is an NCI Helper, one of our many volunteers and students. NCI hosts social events and build contests, as well as free classes on just about everything to know about SL.

I've invested quite a bit of time in 2 other SL communities... one I'd describe as inherently activist, and the other are RL professionals working for social benefits organizations.

Four Bridges Project sim is a collaboration of Amnesty International-E, PeaceTrain, and many other activist groups (a few logos are pictured). Four Bridges groups have organized numerous gridwide events, week-long Woodstock-like affairs, like Peace Fest, Earth Week SL, SL Human Rights Festival, Second Pride Festival, and Imagine Festival. These folks are very spontaneous and thoroughly knowledgeable about RL activist issues and how to utilize SL for action and creating awareness! You can meet a lot of high powered activists through their community and get involved in world rocking projects. The Four Bridges team works effectively across group lines gridwide to bring together terrific art, music, talent, ideas, and energy.

Nonprofit Commons has achieved cross-group collaboration in the real world of charities and social benefit organizations and brought them all into Second Life. They have gathered together over 100 RL groups and concentrated them on several sims such as Aloft NonProfit Commons (pictured). Groups like Kiva.org for RL microlending and The Jason Project for RL missing children, and OpenCafe.org.za which teaches South African youth about open source technologies. I've done the music promotion for a few of their sim launches and it's clear that everyone wants to work with them (easiest gigs I’ve ever done!). They are great do-gooders one and all. Check out their meetings on 8:30am on Fridays in SL at Plush Nonprofit Commons. You'll meet dozens of RL nonprofit organizers, sharing their best ideas. Now that's SL community!

By Any1 Gynoid

"Live n' Kickin" at Greenies

On Tuesday January 5th at 9 SL time, the live music show “Live n' Kickin” played on a well-known location: the Greenies’ House.

To those who don’t know, the Rezzabe Greenies sim is one of those sims in Second Life that are truly must-see. The sim is a huge house where one appears to be mouse-sized. Residents see the world as the diminutive alien “Greenies” do, and can find them all over the place exploring around and getting into various mischief. Since it’s construction in 2007, the sim has been added to, including a Greenie store, a roach hunting game, and small club in an old radio sometimes called "Club G."

For this episode of “Kickin,” Delinda Dryssen brought in singer Takamura Keiko and her band the “Shebangs.” A notecard stated Takamura “started out playing Second Life gigs as a hobby. and enjoyed an immensely positive reaction from her audience while enjoying the comfort of their own home. It also gained her a profile on MTV and a social network of other SL-based musicians. That turned her hobby into a vocation.”

The notecard went on to say she had moved to San Francisco, became part of the community of local musicians, and with the encouragement of her friends in Second Life recently began playing at open mic nights. Supposedly Philip Linden was there to see her first performance, “Because of my semi-stardom in Second Life, I’ve started branching out in real life, and it’s been a wild ride.”

And so at 9 PM, the party started with Takamura and her band singing live and loud from the big record player, with the audience dancing on the cabinet shelf and down below. A couple dancers were in Greenie avatars as well, with others in green avatars of a different kind. Nearby, one of the sim’s Greenies seemed oblivious as he listened in an iPod.

The event can be seen in the show’s archives on the treet.tv website: Here.

So for Live n' Kickin fans, it was truly a unique event, dancing inside a music player instead of just to one.

Bixyl Shuftan

Tim Folds His Hand...


Back in August, I did a piece here regarding a new business model in the SL music scene.  One of the venues proposing such a model was Rasta Ventures, former management of Red Rock Ampitheater, Rasta Beach and Mama's, managed by TributeTim Kwak and his management team.

The new model, a co-op between the venues and performers, was to include Red Rock and Mama's, as well as a new venue.  The grand reopening of the venues was scheduled for 15 September.  Sadly, this did not occur.  It came to my attention that Tim encountered some dificulties with the scripter he hired., as well as having one of the musician partners pull out of the co-op.  He decided to find another scripter, regroup and get back to work on his ideas.

Tim circulated the following letter today, 12 November:

"Hi friend,

After much effort, and now much regret, i'm writing to tell you that i've decided to abandon the Rasta Live Music Co-op project. After working carefully with a very professional, very competent scripter, we've determined that the hours involved to set up the system to a the level of quality that i would be comfortable with would take well over 100 hours of coding and cost in the range of about US$6,000 at reasonable RL programming rates.

I can't afford that, and the SL economy can't justify that level of investment.  But, i am not willing to pair down the project.  I'm not willing to do a half assed job.  Perhaps if I were more skilled in scripting, and if I had the time (which i'm afraid I never will)  I could treat the project as a hobby, do the scripts myself and we would have a system that we were proud of and would be of use to the greater community.  Sadly, that is not to be, or rather, it is not for me to do this job.

As such, i have decided that i will move into other ventures in Second Life and leave venue management to others.  I love the music here, especially YOUR music, and i will always be a grateful and frequent member of your audiences.  I have opinions (like you find THAT surprising) about how the biz side of music should be structured, but they will remain my opinions and I will keep them to myself from this point forward.  Rather, I'll simply enjoy what you do, however it happens.

I want to thank you for your support. In some ways, i feel i've let you down.  But I know that this decision is a much better path than trying to proceed with something that is less than what we had hoped for.

With great love and respect,

TributeTim Kwak"

By Shellie Sands

Winter Comes to Mystery

Winter came to the Mystery sim recently, the scenery now sporting a snowy look. And on Sunday Nov 8, they had their first big weekend live music event to celebrate. Debi Latte sang to the dancers at the Heart of Mystery riverboat club.

To read more, Click Here in Community.

Spotlight On...Trowzer Boa Live in West Chester, PA 29 August

On Saturday, 29 August, I traveled out to West Chester, PA to see Trowzer Boa, aka Dave Renz in RL. He and his band, the Dave Renz Jazz Duo, were playing at a local, downtown winery, Kreutz Creek Winery. The winery's slogan is "Built on dreams with determination...capturing the art of the wine making process, from vine to bottle." The actual winery is located in West Grove PA, but the place in town sells exclusivley all the wine made there in the pub.

The store front window served as stage and the drummer was perched up there in the window with the remaining band members in front. The band consisted of Dave on sax, a bassist and keyboardist, as well. The band members are all former students of the high school where Dave teaches.

The band played for an amazing 3 hours, taking several breaks. Not being a huge jazz fan, I couldn't say what tunes they played but I thought they were terrific and I smiled and smiled. Nothing like live music to give a person a new respect for a particular form or style of music. This band had an all together fantastic sound and I had a blast. The crowd was fun, there was lots of laughter and I thoroughly enjoyed it.

From his website: "Dave Renz has been playing saxophone professionally on the East Coast since the early 1990’s. His compositions and performances have appeared on cd’s alongside Steve Howe, Ian Anderson (Jethro Tull), Robert Hazard and Annie Haslam (Renaissance). He has recorded with some of the top players/producers in the industry, most recently for Grammy winning producer Phil Nicolo as part of the Klemmer-Hill-Reid project. Dave Renz has performed From New York City to Nags Head North Carolina, and appeared multiple times at the Berks Jazz Festival and Music Fest in Allentown PA. Look for him regularly at Chris’ Jazz Cafe in Center City , The Blue Point Grille, in Princeton New Jersey, and in and around the Philadelphia area."

Since his performance in West Chester, I had occasion to see Trowzer for the first time in SL. Unaccompanied by the band, Trowzer still plays an amazing sax. If you love jazz, check out Trowzer at your next opportunity.

Shellie Sands

Spotlight On...XanderNichting Writer and Tamra Sands

On Friday, 28 August, I visited The Cape at Cupid Lagoon Romantic Resort on Kaiya Islands. Xander started off at 2 pm performing solo. He makes the most beautiful sounds on electric violin. I have been to man Xander shows and always enjoy him immensely. He does big band sounds, jazz, romantic, ballroom dancing tunes and, my favorite, songs from Riverdance. He even had a set of Riverdance dance balls. Those songs are terrific. Imagine though, a Dutchman playing Irish tunes. But, hey, good music is good music and has no ethnic boundaries.

Just before 3 pm, Tamra joined Xander on stage at the mic. This girl has such a beautiful voice and has performed on Broadway in RL. She hit notes that gave me goosebumps.

While Tamra is living in New York and Xander is in Holland, they dual streamed and the sound was truly magnificent. Some of the highlights of their duet included "Amazing Grace," "Route 66," "Eyes of an Angel," Sting's "Fields of Barley" and one of my favorite Streisand songs, "Somewhere." Tamra's manager gave us all her lengthy song list and requests were encouraged. I requested my favorite Tamra song "Eden Will Bloom," and I was not disappointed. She explained that she wrote "Eden Will Bloom" when her nephews were going off to war, which she was against.

This was a dynamic pairing of immense talent and I hope they do it again soon!

By Shellie Sands

NEW COVER CHARGE SYSTEM BEING TESTED FOR MUSIC VENUES

The controversy over music venues utilizing a cover charge has been
ongoing in Second Life for quite a few years. One Second Life
musician, Mankind Tracer, has come up with a Business Model called
CCS (Cover Charge System) for venues and musicians to begin using as a
mandatory cover charge tool to hear your favorite performers.

In an open letter to residents of Second Life, Mankind Tracer
explained how this type of system could be one answer to the
increasing problems of venue closings in-world due to the club owners
not being able to afford to pay their live performers in addition to
the tier costs of running their club. This Cover Charge System would
pay both the musician and the venue owner by an agreed upon percentage
beforehand, freeing the venue-owner from the burden of paying the
musician at all.

HOW IT WORKS--
The musician determines the cover charge amount and both venue and
musician agree beforehand on the percentage the venue will receive for
the show. (Mankind's letter suggests that a $500L cover charge might
be appropriate for his performances, with a 20% split going to the
venue.) The system would be set up prior to the event and once
activated, continually scans the club area for non-paying residents,
as well as logging paying residents into the system.

As residents enter, the CCS sends them a message asking them to pay
the cover charge. If they do not pay, predetermined security
personnel receive notices of avatar names who have not paid. These
security personnel will send the non-paying resident several warning
messages asking them to pay the fee. If they fail to pay after
numerous warnings, the avatar will be ejected from the venue.

CRASHES --
All paying and non-paying avatar names are kept in the system until
the owner clears the list. If an avatar crashes, they can return
without repaying. Likewise, if the sim crashes, they do not have to
repay when they return.

MONIES --
The performer determines the cover charge amount. And the percentage
that the venue would receive would be entirely up to the musician and
venue owner to predetermine. In this sense, the venue owners no
longer have the burden of paying the musician.

FIRST TEST --
At Thursday's first test of the system, Mankind Tracer set the cover
charge for one linden and performed for two hours at his "Sweet Spot"
venue. A considerable crowd was on hand, with several well-known
musicians and managers also in attendance. The crowd asked questions
in IM and on notecards and Mankind addressed each one in between
songs. While the system seemed to work well for this first 1L test
run, the true test would be to actually charge 500 Lindens and see
what the crowd does or doesn't do.

AVAILABILITY/COST
Once the system is tweaked and more test runs are performed
successfully, the system would then be made available. Whether or not
there will be a cost associated with acquiring the actual system
hasn't been determined yet.

RAISING CONCERNS
Several concerns are evident. New residents do not have lindens to
spend, especially for large cover charges. Residents who normally
would frequent several shows in one evening may only be able to attend
one show depending on the cover charge rate. Residents are
less-likely to tip if they are charged the initial fee to get through
the door. Sim owners would need to "parcel-off" their club/venue in
order that the stream isn't broadcasting throughout the entire sim and
also so that the Cover Charge System scans only the club/venue parcel
area. The obvious issues of performers losing their fan base, not
making enough money if people don't choose to attend, and even the
pinch some residents may feel at losing the control over freely
tipping... is of serious concern.

Time will tell how this proposed system will or will not become an
active part of the SL music scene. One thing's certain... people are
sure to make their voices heard on the issue. But that's the great
thing about Second Life, we still have a choice, even with a cover
charge system.

by Mystique Sassoon

“Live ‘n Kickin” - Paisley Beebe Speaks on Her New Music Show in Second Life

On 9 PM Second Life time, Tuesday August 25, a new show opened up in the metaverse: “Live n Kickin.” At “The Pocket.” Pilgrim75 Swashbuckler (Pete Mroz in real life) sang live to the crowd, who danced away to his music. What added to the excitement was that the show was being shown on Treet TV live. Those familiar with SL Media could make out a few familiar names in he audience, in the audience, notably Delinda Dryssen and Paisley Beebe whom with AutumnFoxx Sutherland made the show possible.

“This show was an idea I had from day one when I started in television in Second Life,” Paisley later explained to me, “Being a musician in real-life, it was a no-brainer to do this.” She stated AutumnFoxx Sutherland and Delinda Dyrssen were working with her to get the show up, both “involved in the music scene in SL for years.” But it was Delinda who was producing the show, “I’m paying for it ... which means I have the final say on things, but she is basically doing all the leg work.”

Paisley told me her production role was working with how it would look on Treet, “I’m looking forward to being able to shoot on location, and really get into some great (special) effects and locations.” She went on to say most of Treet’s show’s were “very straight studio-type shoots and events,” not having experimented much with light and filming techniques, “But I want them to go all out, get psychedelic even! To get really funky.”

“The Pocket,” which AutumnFoxx Sutherland and Delinda Dyrssen run, was chosen as their first spot as the place was familiar, “We wanted the first shoot to be easy, cause we didn't know what we would have to really contend with.” But they intend for the show to go to other places besides clubs, “We are not going to be shooting in venues all the time. We are going to be looking for some really way out locations ... underground, in a cave, underwater, in the clouds, in a spaceship, ... I want to do what is not possible in real-life.”

She hoped to involve the audience as well, “we are recording the audience reaction to each song, ... the applause and gestures, and what the musician says to the audience. ... I want our audience to know when they tune into Live n Kickin, they are going to get as near a professional performance as possible, hat it is going to be a really great experience! ... I don't know if you felt it, but the energy and buzz during the filming at Pilgrims show was just fantastic. Just being there in the audience, knowing that it was being filmed. And that Pilgrim was giving his all. He was amazing. I was so exited during the filming, I was dancing around the room. It was such a thrill to showcase such an incredible artist.”

Paisley and Delinda had featured close to a hundred musicians on the “Tonight Live” show on Second Life, “For musicians it’s not just about having a nice vid clip of their work. It’s about doing a gig, for around fifty people in-world. And then getting maximum exposure after that, to probably 3000 people a month in about a month’s time. ... Treet.tv archives are heavily watched over and over. With that sort of exposure, it’s the best way in Second Life for a musician to get to the maximum audience and sell their CD's and Mp3s.”

The show will next appear at Luxor, “We are hoping to bring out all the splendor of the Egyptian theme that Circe Brooms has.” Any musicians interested in getting on the show can contact Delinda Dryssen, “ Delinda is the producer of the show. Poor Del, she has been absolutely inundated, even before our first show was filmed!”

“I want Pilgrim and the other artists we showcase to get to as many avatars as possible, to sell their albums, and to get booked for gigs, both real-life and Second Life, and to get offers and good deals from being exposed on our show. I hope that happens. They deserve it. I can’t stand seeing such amazing talent undiscovered. I just can’t stand it, it breaks my heart. I know how tough it is. I’ve been there, and am still there. I saw it over and over again, and working in radio. Ignored talent. It was so very frustrating. Albums dropped by record companies, buried in basements ... I’m so grateful to help just a little.”

“Live n Kickin” will be weekly, 9 PM SL time every Tuesday, with shows posted on the treet tv website. Eventually, they hope to have videos on iTunes. They have a group for updates, and plan to have a subscribomatic soon.


Bixyl Shuftan

Music News

One venue owner is piloting a new business model beginning this fall. The owner of Rasta Ventures, TributeTim Kwak, has 3 venues, Red Rock Amphitheater (Pop, Country and other genres), Mama's (Blues), and a brand new Urban Alt Rock venue. Also on the sim is Rasta Beach (reggae DJs and one regular live performer a week).

Previously, Red Rock and Mama's have been operated separately from Rasta Beach and sharing staff. Beginning in September, Tim plans on linking the 3 live venues. with the reopening of Red Rock and Mama's and the opening of the new club. These 3 venues have formed a co-op consisting of quite a few live performers.

The concept is that an admission fee of $L200 will be charged. This admission fee will defray the cost of the venue owner of paying the high fees of the performers, as well as supporting the venues for their financial needs. Very often, venue owners are paying money out of their RL pockets to pay tier fees and performers' fees. It is understood that this is an expensive undertaking when one decides to open a live performance venue. As a result, many quality clubs close their doors because they can no longer afford to pay their tiers. planning 15 shows.

The revenue from the co-op will be equally distributed among the co-op members. The venue owner is responsible for coordinating scheduling, supporting venue builds, and providing "professional, well trained hosts," and streams. The objective is to "put on regularly scheduled, high quality performances 4 or 5 nights each week, with each event involving 3 or 4 musicians" "....lasting 3 or 4 hours." The expectation is a 30 avatar attendance, at $L200 a head, for a total revenue of L$90,000 per week in ticket revenues, split between (currently) 8 people, or L$11,250 each per week. At the current conversion rate, that equates to $43.27USD per week for each co-op member. Tim will use his share to pay hosts and managers, and stream fees, etc., but he noted it would not defray all of his costs.

Performers who would be invited to join this co-op would typically be "popular musicians (who) are interested and able to work well with a group of people." The term "popular" might be defined as "an artist with the demonstrated ability to consistently attract at least 30 people to their performances."

This concept is not entirely new. I, as well as others, including performers, have heard of such a thing through the music community grapevine, etc. I have done a small poll of concert goers and performers alike, and some have even said it's been tried before and been unsuccessful. One source explained that another venue owner/performer is also trying a new pay system at his venue.

According to Tim, an ongoing debate has been taking place on the Rasta blog http://rastaliveco-op.blogspot.com. I have collected comments from friends who have been going to live shows in SL for years, a venue owner, and some well know performers here in SL.

The general consensus is that it will not work. Some will go to fewer shows since music has been free from day one. One venue owner fears that if this does become the way music will go in SL, it will make live music "only available to the elite in SL who can afford to pay." This will "reduce the number of SL music fans" and that "one of the few free pleasures available to a new residents is live music." Another comment along those lines was "It won't work as I see it...most people won't wanna be in the 'Elite' group" and "other than groupies and loyal 'gotta catch every show possible' fan," he forsees "a pretty bleak future there." One very popular performer and his manager said they would want no part of it. Others feel it's just plain greed.

Some feel that SL should be an outlet for exposure, as many performers share the website links where RL CDs can be purchased. One comment was on the fact that the fans are never consulted and this is why it has failed in the past.

A big debate was on the "high quality" factor. Many balked at that since who can define high quality? It is a subjective issue, it is not science. Different people see quality in something/ someone that others will not.

On the positive side, some just accept it as the way of the future for music in SL, acknowledging that when venues can no longer afford to stay open, the musicians will have to create their own if they don't already have one, and they will have to charge for admission to cover their expenses, as well as their music.

An interesting point to note is, as many of you may know, often venue owners and musicians encourage fans to get the word out about live music through their blogs, newspapers, other writing avenues, etc. As a reporter covering live music in SL, the price of admission will exceed what I get paid for these articles. How will it then make sense to continue to write about live music as the musicians would like?

Answers to these and other questions remain to be seen. I anxiously await to see how it all plays out. Look for a follow-up piece here as things get underway and the wheels are set in motion.

Shellie Sands

Editors note: Watch for another bright idea to solve this problem tomorrow with Mystique Sassoon

Shannon "Oherlihy" McMahon Live in New Haven, CT

On 15 August, I traveled to New Haven, CT to meet friends and see Shannon live in RL. We were all so excited! Shannon was playing at a local, downtown book shop called Never Ending Books. An unusual venue I thought, but apparently they have local live musicians performing there every 3rd Saturday of the month.

The place was charming and quaint, consisting of two narrow rooms, with two separate entrances. The one room was jam packed with books, every which way on the shelves. The place runs strictly on donations, no real book sales (don't ask me how they do it). There was complimentary wine, beer, soda and water, as well as cheese and crackers and other snacks. I felt like I was joining friends for the evening.

Shannon was the first performance of the evening and took the stage at approximately 7:30 pm. The stage was surrounded by a red skirt (no idea what the stage really was!). The limited seating was in the form of folding metal chairs. The place did NOT have air conditioning, and man was it hot! I don't think anyone cared though.

Shannon looked surprisingly much like her SL avatar and she sounded even more beautiful in RL as she does in SL, if that's even possible. She is very unassuming and you can tell she sings from her heart and enjoys it.

Shannon played her stock SL favorites, including"Emotional Vampire," "Anyway," "The Test," and "Salvation Mailbox," a song for if she ever got to Nashville. She wrapped up her set with "You Never Loved Me."

Save for the members of the band following Shannon and a sprinkling of other folks, five of us were SecondLifers. Shannon explained what she does in SL and about those of us who traveled to see her live.

Following Shannon was another local band called Lonesome Sparrows, 4 seasoned musicians who were very enjoyable and hilarious. We asked Shannon to nudge them into coming to SL where I am sure they would have a following.

All in all, it was a great time and well worth the travel.

Shellie Sands

“We Gotta Say Goodbye, For the Summer” - Bahama Beach Club Closes

At 6 PM Saturday August 22nd, the Bahama Beach Club at the Goldrush sim held it’s final event. Club owner Rory Langdon was the DJ that night, playing classic rock for a “Back to the ‘60s” beack party, with some guests and staff in their swimming trunks and bikinis. Instead of in the club, the party was held on the beach sands.

Rory Langdon, or Joe Ward in real life, has been playing music for over 30 years, with experience as both a DJ and club manager. Experience he brought with him to Second Life, both DJing and club managing here. In March 2009, he decided to start up a club of his own, buying up some land that already had a nightclub there, “Club 9:30.” As it turned out, there really was a Club 9:30 in real life. So he kept the building for a while, setting up a small beach club next to it, poles holding up a thatched roof, with a danceball overhead with a particle streamer sending down a light show at times, with a picture of a blue parrot behind the DJ stand, which became known as “Flip the bird.”

With his partner Marai McMahon helping to manage things, Rory had planned to run both clubs with events in both every week. But problems in real life cut down on his time in the metaverse, and the prim content limit limited what he could do with both clubs. So they decided to take down the nightclub building, building a a bigger beach club. They also put a little more detail in the beach. adding rocks, a waterfall, palm trees and hammocks, a secret cuddle spot, and more. Some people dropped over between parties just to see the beach scenery and relax. The new bigger club was renamed the Bahama Beach Club, though sometimes simply called the “BBC” as a pun on the famous media company.

Besides himself, Rory had other music-makers performing. Bosco sang at the club for a time. Later on came DJ’s SonicBlu and Boo Gearhead. And throughout the club’s history, there was ScratchMusikatt the “Chaos DJ,” playing for the late at night while he also performed in real life.

The club and it’s grounds took up a quarter sim, but prim limits limited what Rory, Marai, and the staff could do. There was talk about buying up a half sim, or maybe a full sim in the future for things like a staff residence home. Then his old friend and former neighbor Foxyfurman Kumaki who runs the Foxworthy sim offered a deal. Rory and Marai now have a section of the sim there for a club, which will be opened sometime in the near future. This time, it will be a nightclub to go along with Foxy’s casino next to the place. The land on Goldrush will be sold.

So, the Bahama Beach Club comes to a close, at least for now. It’s likely it will come back in some form, but the place at Goldrush will be missed.

As the final party came to a close, virtual champagne was passed around, and toasts were made.

“To this place being good to us, memories made here.”

“To memories old and new, to friends who shall never be forgotten.”

Bixyl Shuftan